
What is Lampworking?
A variant of the wound glass bead making technique
is what is traditionally called
lampworking. In the Venetian
industry, where very large quantities of beads were produced in the
19th century for the African trade, the core of a decorated bead was
produced from molten glass at furnace temperatures, a large-scale
industrial process dominated by men. The delicate multi-coloured
decoration was then added by people, mostly women, working at home
using an oil lamp or spirit lamp to re-heat the cores and the fine
wisps of coloured glass used to decorate them. These workers were
paid on a piecework basis for the resulting lampwork beads.
Modern lampwork beads are made by using a dual fuel
torch (Propane and Oxygen) to heat a rod of glass and spinning the
resulting thread around a metal rod covered in bead release. When
the base bead has been formed, other colours of glass can be added
to the surface to create many designs.
After this initial stage of the bead making process, the bead can be further fired in a kiln to make
it more durable. This process is called
Annealing. Annealing is a
process of slowly cooling glass over several hours, to relieve
internal stresses after it was formed.
Once the bead has cooled to room temperature, it can
then be removed from the mandrel and the bead release cleaned off.
Helen Moore attended a two day lampworking course
early in 2008 at the Born to Bead Studio and quickly became
captivated with the art form. Soon after she decided that it was
time to set up her own home studio, where she uses Effetre and New
Zealand’s own Gaffer soda-lime glass to make her glass beads.
Beads are taken from the torch straight to the kiln where
they are properly annealed for strength and durability.
For years Helen had dabbled in other art forms from
painting to embroidery, through to scrap-booking, “I feel that I have finally found the perfect outlet for my creativity”.
Helen is inspired by New Zealand’s beautiful landscapes and the
exquisite colours and shapes it offers on a daily basis.
She loves creating tiny flower garden beads, funky bright
coloured beads, and exploring new techniques and colour
combinations.

Education
·
Sarah Hornik Advanced Two Day Workshop - May 2010
·
Kathy Servian Toggle & Casting Workshop - Oct 2009
·
Karen Irwin Structured Organic and Double Helix Workshop - June
2009
·
Kathryn Wardill Advanced 2 day Workshop - May 2009
·
Born to Bead Special Christmas Decoration Workshop - November
2008
·
Born to Bead Dots and Spots Technical Course - May 2008
·
Lisa-Jane Harvey Beginners Workshop - One on One - February 2008